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q@)qA}qB(hXPIK nodeqChhhhh!UtitleqDh#}qE(h)]qFh+]qGh']qHh%]qIh-]qJuh1Kh2hh3]qKcdocutils.nodes
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qP)qQ}qR(hX|pluginIcon|qShhhhh!U	paragraphqTh#}qU(h)]qVh+]qWh']qXh%]qYh-]qZuh1Kh2hh3]q[cdocutils.nodes
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q\)q]}q^(hX.image:: net.sf.openfx.PIK.png
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qz)q{}q|(hhrh#}q}(h)]q~h+]qh']q€h%]qh-]q‚uhhph3]qƒhLX-This documentation is for version 1.0 of PIK.q„…q…}q†(hUhh{ubah!Uemphasisq‡ubaubh)qˆ}q‰(hUhhhhh!h5h#}qŠ(h)]q‹h+]qŒh']qh%]qŽUdescriptionqah-]qhauh1Kh2hh3]q‘(h@)q’}q“(hXDescriptionq”hhˆhhh!hDh#}q•(h)]q–h+]q—h']q˜h%]q™h-]qšuh1Kh2hh3]q›hLXDescriptionqœ…q}qž(hh”hh’ubaubhP)qŸ}q (hX¡A keyer that works by generating a clean plate from the green/blue screen sequences. Inspired by Nuke's IBK by Paul Lambert and Fusion's KAK by Pieter Van Houte.q¡hhˆhhh!hTh#}q¢(h)]q£h+]q¤h']q¥h%]q¦h-]q§uh1K
h2hh3]q¨hLX¡A keyer that works by generating a clean plate from the green/blue screen sequences. Inspired by Nuke's IBK by Paul Lambert and Fusion's KAK by Pieter Van Houte.q©…qª}q«(hh¡hhŸubaubhP)q¬}q­(hXùThere are 2 options to pull a key with PIK. One is to use PIKColor to automatically extract a clean plate from the foreground image and use it as the the C input, and the other is to pick a color which best represents the area you are trying to key.q®hhˆhhh!hTh#}q¯(h)]q°h+]q±h']q²h%]q³h-]q´uh1Kh2hh3]qµhLXùThere are 2 options to pull a key with PIK. One is to use PIKColor to automatically extract a clean plate from the foreground image and use it as the the C input, and the other is to pick a color which best represents the area you are trying to key.q¶…q·}q¸(hh®hh¬ubaubhP)q¹}qº(hX¹The blue- or greenscreen image should be used as the Fg input, which is used to compute the output color. If that image contains significant noise, a denoised version should be used as the PFg input, which is used to pull the key. The C input should either be a clean plate or the outupt of PIKColor, and is used as the screen color if the 'Screen Type' is not 'Pick'. The Bg image is used in calculating fine edge detail when either 'Use Bg Luminance' or 'Use Bg Chroma' is checked. Optionally, an inside mask (a.k.a. holdout matte or core matte) and an outside mask (a.k.a. garbage matte) can be connected to inputs InM and OutM. Note that the outside mask takes precedence over the inside mask.q»hhˆhhh!hTh#}q¼(h)]q½h+]q¾h']q¿h%]qÀh-]qÁuh1Kh2hh3]qÂhLX¹The blue- or greenscreen image should be used as the Fg input, which is used to compute the output color. If that image contains significant noise, a denoised version should be used as the PFg input, which is used to pull the key. The C input should either be a clean plate or the outupt of PIKColor, and is used as the screen color if the 'Screen Type' is not 'Pick'. The Bg image is used in calculating fine edge detail when either 'Use Bg Luminance' or 'Use Bg Chroma' is checked. Optionally, an inside mask (a.k.a. holdout matte or core matte) and an outside mask (a.k.a. garbage matte) can be connected to inputs InM and OutM. Note that the outside mask takes precedence over the inside mask.qŁqÄ}qÅ(hh»hh¹ubaubhP)qÆ}qÇ(hXÙIf PIKcolor is used to build the clean plate, the PIKColor Source input should be the same as the PFg input to PIK, e.g. the denoised footage, and the inside mask of PIK can also be fed into the InM input of PIKColor.qÈhhˆhhh!hTh#}qÉ(h)]qÊh+]qËh']qÌh%]qÍh-]qÎuh1Kh2hh3]qÏhLXÙIf PIKcolor is used to build the clean plate, the PIKColor Source input should be the same as the PFg input to PIK, e.g. the denoised footage, and the inside mask of PIK can also be fed into the InM input of PIKColor.qЅqÑ}qÒ(hhÈhhÆubaubhP)qÓ}qÔ(hX@The color weights deal with the hardness of the matte. When viewing the output (with screen subtraction checked), one may notice areas where edges have a slight discoloration due to the background not being fully removed from the original plate. This is not spill but a result of the matte being too strong. Lowering one of the weights will correct that particular edge. For example, if it is a red foreground image with an edge problem, lower the red weight. This may affect other edges so the use of multiple PIKs with different weights, split with KeyMixes, is recommended.qÕhhˆhhh!hTh#}qÖ(h)]q×h+]qØh']qÙh%]qÚh-]qÛuh1Kh2hh3]qÜhLX@The color weights deal with the hardness of the matte. When viewing the output (with screen subtraction checked), one may notice areas where edges have a slight discoloration due to the background not being fully removed from the original plate. This is not spill but a result of the matte being too strong. Lowering one of the weights will correct that particular edge. For example, if it is a red foreground image with an edge problem, lower the red weight. This may affect other edges so the use of multiple PIKs with different weights, split with KeyMixes, is recommended.q݅qÞ}qß(hhÕhhÓubaubhP)qà}qá(hXgThe Alpha Bias setting may be used either if there is a strong global color cast on the scene (e.g. the green or blue screen color is not pure), or if parts of the foreground are transparent in the output. This color is considered by the algorithm as being a grey reference: all colors from the PFg input are first normalized by this color before computation.qâhhˆhhh!hTh#}qã(h)]qäh+]qåh']qæh%]qçh-]qèuh1Kh2hh3]qéhLXgThe Alpha Bias setting may be used either if there is a strong global color cast on the scene (e.g. the green or blue screen color is not pure), or if parts of the foreground are transparent in the output. This color is considered by the algorithm as being a grey reference: all colors from the PFg input are first normalized by this color before computation.qꅁqë}qì(hhâhhàubaubhP)qí}qî(hX	If the Alpha Bias is set, but the screen subtraction has a strong color bias (e.g. the despilled areas show the screen color), uncheck 'Use Alpha for Despill' and set the Despill Bias to the color of the foreground elements that are most affected by the color bias.qïhhˆhhh!hTh#}qð(h)]qñh+]qòh']qóh%]qôh-]qõuh1Kh2hh3]qöhLX	If the Alpha Bias is set, but the screen subtraction has a strong color bias (e.g. the despilled areas show the screen color), uncheck 'Use Alpha for Despill' and set the Despill Bias to the color of the foreground elements that are most affected by the color bias.q÷…qø}qù(hhïhhíubaubhP)qú}qû(hX'Screen Subtraction' (a.k.a. despill) removes the background color from the output via a subtraction process (1-alpha times the screen color is subtracted at each pixel). When unchecked, the output is simply the original Fg premultiplied with the generated matte.qühhˆhhh!hTh#}qý(h)]qþh+]qÿh']rh%]rh-]ruh1Kh2hh3]rhLX'Screen Subtraction' (a.k.a. despill) removes the background color from the output via a subtraction process (1-alpha times the screen color is subtracted at each pixel). When unchecked, the output is simply the original Fg premultiplied with the generated matte.r…r}r(hhühhúubaubhP)r}r(hXÿ'Use Bkg Luminance' and 'Use Bkg Chroma' affect the output color by the new background. This feature can also sometimes really help with screens that exhibit some form of fringing artifact - usually a darkening or lightening of an edge on one of the color channels on the screen. The effect can be offset by grading the Bg input up or down with a grade node just before input. If it is just an area which needs help then just rotoscope that area and locally grade the Bg input up or down to remove the artifact.r	hhˆhhh!hTh#}r
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h%]rh-]ruh1Kh2hh3]rhLXÿ'Use Bkg Luminance' and 'Use Bkg Chroma' affect the output color by the new background. This feature can also sometimes really help with screens that exhibit some form of fringing artifact - usually a darkening or lightening of an edge on one of the color channels on the screen. The effect can be offset by grading the Bg input up or down with a grade node just before input. If it is just an area which needs help then just rotoscope that area and locally grade the Bg input up or down to remove the artifact.r…r}r(hj	hjubaubhP)r}r(hXµThe output of PIK is controlled by the "Output Mode" option. For example, if the output is "Premultiplied", it should be composited with the background using a Merge-over operation.rhhˆhhh!hTh#}r(h)]rh+]rh']rh%]rh-]ruh1Kh2hh3]rhLXµThe output of PIK is controlled by the "Output Mode" option. For example, if the output is "Premultiplied", it should be composited with the background using a Merge-over operation.r…r}r (hjhjubaubhP)r!}r"(hXUThe basic equation used to extract the key in PIK is (in the case of "green" keying):r#hhˆhhh!hTh#}r$(h)]r%h+]r&h']r'h%]r(h-]r)uh1K!h2hh3]r*hLXUThe basic equation used to extract the key in PIK is (in the case of "green" keying):r+…r,}r-(hj#hj!ubaubhP)r.}r/(hX\alpha = 0 if (Ag-Ar\*rw-Ab\*gbw) is negative, else 1-(Ag-Ar\*rw-Ab\*gbw)/(Bg-Br\*rw-Bb\*gbw)r0hhˆhhh!hTh#}r1(h)]r2h+]r3h']r4h%]r5h-]r6uh1K#h2hh3]r7hLXValpha = 0 if (Ag-Ar*rw-Ab*gbw) is negative, else 1-(Ag-Ar*rw-Ab*gbw)/(Bg-Br*rw-Bb*gbw)r8…r9}r:(hX\alpha = 0 if (Ag-Ar\*rw-Ab\*gbw) is negative, else 1-(Ag-Ar\*rw-Ab\*gbw)/(Bg-Br\*rw-Bb\*gbw)r;hj.ubaubhP)r<}r=(hXmA is input PFg and B is input C, rw is the value of "Red Weight" and gbw is the value of "Green/Blue Weight".r>hhˆhhh!hTh#}r?(h)]r@h+]rAh']rBh%]rCh-]rDuh1K%h2hh3]rEhLXmA is input PFg and B is input C, rw is the value of "Red Weight" and gbw is the value of "Green/Blue Weight".rF…rG}rH(hj>hj<ubaubhP)rI}rJ(hX	See also:rKhhˆhhh!hTh#}rL(h)]rMh+]rNh']rOh%]rPh-]rQuh1K'h2hh3]rRhLX	See also:rS…rT}rU(hjKhjIubaubcdocutils.nodes
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rb)rc}rd(hXEhttp://opticalenquiry.com/nuke/index.php?title=The\_Keyer\_Nodes#IBK
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rx)ry}rz(hXDhttp://opticalenquiry.com/nuke/index.php?title=The\_Keyer\_Nodes#IBKr{h#}r|(Urefurir}XBhttp://opticalenquiry.com/nuke/index.php?title=The_Keyer_Nodes#IBKr~h%]rh']r€h)]rh+]r‚h-]rƒuhjnh3]r„hLXBhttp://opticalenquiry.com/nuke/index.php?title=The_Keyer_Nodes#IBKr……r†}r‡(hUhjyubah!U	referencerˆubaubaubjb)r‰}rŠ(hXdhttps://compositingmentor.com/2014/07/19/advanced-keying-breakdown-alpha-1-4-ibk-stacked-technique/
r‹hjWhhh!jfh#}rŒ(h)]rh+]rŽh']rh%]rh-]r‘uh1Nh2hh3]r’hP)r“}r”(hXchttps://compositingmentor.com/2014/07/19/advanced-keying-breakdown-alpha-1-4-ibk-stacked-technique/r•hj‰hhh!hTh#}r–(h)]r—h+]r˜h']r™h%]ršh-]r›uh1K+h3]rœjx)r}rž(hj•h#}rŸ(Urefurir Xchttps://compositingmentor.com/2014/07/19/advanced-keying-breakdown-alpha-1-4-ibk-stacked-technique/r¡h%]r¢h']r£h)]r¤h+]r¥h-]r¦uhj“h3]r§hLXchttps://compositingmentor.com/2014/07/19/advanced-keying-breakdown-alpha-1-4-ibk-stacked-technique/r¨…r©}rª(hUhjubah!jˆubaubaubeubeubh)r«}r¬(hUhhhhh!h5h#}r­(h)]r®h+]r¯h']r°h%]r±Uinputsr²ah-]r³h
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rR)rS}rT(hUh#}rU(h)]rVh+]rWh']rXh%]rYh-]rZuhjÎh3]r[(j)r\}r](hUh#}r^(h)]r_h+]r`h']rah%]rbh-]rcuhjSh3]rd(j)re}rf(hUh#}rg(h)]rhh+]rih']rjh%]rkh-]rluhj\h3]rmhP)rn}ro(hXFgrphjehhh!hTh#}rq(h)]rrh+]rsh']rth%]ruh-]rvuh1K3h3]rwhLXFgrx…ry}rz(hjphjnubaubah!j#ubj)r{}r|(hUh#}r}(h)]r~h+]rh']r€h%]rh-]r‚uhj\h3]rƒhP)r„}r…(hXAThe blue- or greenscreen image. Used to compute the output color.r†hj{hhh!hTh#}r‡(h)]rˆh+]r‰h']rŠh%]r‹h-]rŒuh1K3h3]rhLXAThe blue- or greenscreen image. Used to compute the output color.rŽ…r}r(hj†hj„ubaubah!j#ubj)r‘}r’(hUh#}r“(h)]r”h+]r•h']r–h%]r—h-]r˜uhj\h3]r™hP)rš}r›(hXNorœhj‘hhh!hTh#}r(h)]ržh+]rŸh']r h%]r¡h-]r¢uh1K3h3]r£hLXNor¤…r¥}r¦(hjœhjšubaubah!j#ubeh!jPubj)r§}r¨(hUh#}r©(h)]rªh+]r«h']r¬h%]r­h-]r®uhjSh3]r¯(j)r°}r±(hUh#}r²(h)]r³h+]r´h']rµh%]r¶h-]r·uhj§h3]r¸hP)r¹}rº(hXPFgr»hj°hhh!hTh#}r¼(h)]r½h+]r¾h']r¿h%]rÀh-]rÁuh1K5h3]rÂhLXPFgrÃ…rÄ}rÅ(hj»hj¹ubaubah!j#ubj)rÆ}rÇ(hUh#}rÈ(h)]rÉh+]rÊh']rËh%]rÌh-]rÍuhj§h3]rÎhP)rÏ}rÐ(hXÉ(optional) The preprocessed/denoised blue- or greenscreen image. Used to compute the output key (alpha). A denoised image usually gives a less noisy key. If not connected, the Fg input is used instead.rÑhjÆhhh!hTh#}rÒ(h)]rÓh+]rÔh']rÕh%]rÖh-]r×uh1K5h3]rØhLXÉ(optional) The preprocessed/denoised blue- or greenscreen image. Used to compute the output key (alpha). A denoised image usually gives a less noisy key. If not connected, the Fg input is used instead.rÙ…rÚ}rÛ(hjÑhjÏubaubah!j#ubj)rÜ}rÝ(hUh#}rÞ(h)]rßh+]ràh']ráh%]râh-]rãuhj§h3]rähP)rå}ræ(hXYesrçhjÜhhh!hTh#}rè(h)]réh+]rêh']rëh%]rìh-]ríuh1K5h3]rîhLXYesrrð}rñ(hjçhjåubaubah!j#ubeh!jPubj)rò}ró(hUh#}rô(h)]rõh+]röh']r÷h%]røh-]rùuhjSh3]rú(j)rû}rü(hUh#}rý(h)]rþh+]rÿh']rh%]rh-]ruhjòh3]rhP)r}r(hXChjûhhh!hTh#}r(h)]rh+]rh']r	h%]r
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Red Weight / rÄ…rÅ}rÆ(hX
Red Weight / rÇhjºubjy)rÈ}rÉ(hX
``redWeight``rÊh#}rË(h)]rÌh+]rÍh']rÎh%]rÏh-]rÐuhjºh3]rÑhLX	redWeightrÒ…rÓ}rÔ(hUhjÈubah!j‡ubeubah!j#ubj)rÕ}rÖ(hUh#}r×(h)]rØh+]rÙh']rÚh%]rÛh-]rÜuhj¨h3]rÝhP)rÞ}rß(hXDoubleràhjÕhhh!hTh#}rá(h)]râh+]rãh']räh%]råh-]ræuh1KLh3]rçhLXDoubler腁ré}rê(hjàhjÞubaubah!j#ubj)rë}rì(hUh#}rí(h)]rîh+]rïh']rðh%]rñh-]ròuhj¨h3]róhP)rô}rõ(hX0.5röhjëhhh!hTh#}r÷(h)]røh+]rùh']rúh%]rûh-]rüuh1KLh3]rýhLX0.5rþ…rÿ}r(hjöhjôubaubah!j#ubj)r}r(hUh#}r(h)]rh+]rh']rh%]rh-]ruhj¨h3]r	hP)r
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ubaubah!j#ubeh!jPubj)r}r(hUh#}r(h)]rh+]rh']rh%]rh-]ruhjPh3]r(j)r }r!(hUh#}r"(h)]r#h+]r$h']r%h%]r&h-]r'uhjh3]r(hP)r)}r*(hX'Blue/Green Weight / ``blueGreenWeight``r+hj hhh!hTh#}r,(h)]r-h+]r.h']r/h%]r0h-]r1uh1KNh3]r2(hLXBlue/Green Weight / r3…r4}r5(hXBlue/Green Weight / r6hj)ubjy)r7}r8(hX``blueGreenWeight``r9h#}r:(h)]r;h+]r<h']r=h%]r>h-]r?uhj)h3]r@hLXblueGreenWeightrA…rB}rC(hUhj7ubah!j‡ubeubah!j#ubj)rD}rE(hUh#}rF(h)]rGh+]rHh']rIh%]rJh-]rKuhjh3]rLhP)rM}rN(hXDoublerOhjDhhh!hTh#}rP(h)]rQh+]rRh']rSh%]rTh-]rUuh1KNh3]rVhLXDoublerW…rX}rY(hjOhjMubaubah!j#ubj)rZ}r[(hUh#}r\(h)]r]h+]r^h']r_h%]r`h-]rauhjh3]rbhP)rc}rd(hX0.5rehjZhhh!hTh#}rf(h)]rgh+]rhh']rih%]rjh-]rkuh1KNh3]rlhLX0.5rm…rn}ro(hjehjcubaubah!j#ubj)rp}rq(hUh#}rr(h)]rsh+]rth']ruh%]rvh-]rwuhjh3]rxhP)ry}rz(hXDetermines how the red channel and complement channel (blue for a green screen, green for a blue screen) are weighted in the keying calculation.r{hjphhh!hTh#}r|(h)]r}h+]r~h']rh%]r€h-]ruh1KNh3]r‚hLXDetermines how the red channel and complement channel (blue for a green screen, green for a blue screen) are weighted in the keying calculation.rƒ…r„}r…(hj{hjyubaubah!j#ubeh!jPubj)r†}r‡(hUh#}rˆ(h)]r‰h+]rŠh']r‹h%]rŒh-]ruhjPh3]rŽ(j)r}r(hUh#}r‘(h)]r’h+]r“h']r”h%]r•h-]r–uhj†h3]r—hP)r˜}r™(hXAlpha Bias / ``alphaBias``ršhjhhh!hTh#}r›(h)]rœh+]rh']ržh%]rŸh-]r uh1KPh3]r¡(hLX
Alpha Bias / r¢…r£}r¤(hX
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``alphaBias``r¨h#}r©(h)]rªh+]r«h']r¬h%]r­h-]r®uhj˜h3]r¯hLX	alphaBiasr°…r±}r²(hUhj¦ubah!j‡ubeubah!j#ubj)r³}r´(hUh#}rµ(h)]r¶h+]r·h']r¸h%]r¹h-]rºuhj†h3]r»hP)r¼}r½(hXColorr¾hj³hhh!hTh#}r¿(h)]rÀh+]rÁh']rÂh%]rÃh-]rÄuh1KPh3]rÅhLXColorrÆ…rÇ}rÈ(hj¾hj¼ubaubah!j#ubj)rÉ}rÊ(hUh#}rË(h)]rÌh+]rÍh']rÎh%]rÏh-]rÐuhj†h3]rÑhP)rÒ}rÓ(hXr: 0.5 g: 0.5 b: 0.5rÔhjÉhhh!hTh#}rÕ(h)]rÖh+]r×h']rØh%]rÙh-]rÚuh1KPh3]rÛhLXr: 0.5 g: 0.5 b: 0.5rÜ…rÝ}rÞ(hjÔhjÒubaubah!j#ubj)rß}rà(hUh#}rá(h)]râh+]rãh']räh%]råh-]ræuhj†h3]rçhP)rè}ré(hX—Divide C and PFg colors by this color before computing alpha. This may be used when the whole scene, including the background, has a strong color cast.rêhjßhhh!hTh#}rë(h)]rìh+]ríh']rîh%]rïh-]rðuh1KPh3]rñhLX—Divide C and PFg colors by this color before computing alpha. This may be used when the whole scene, including the background, has a strong color cast.rò…ró}rô(hjêhjèubaubah!j#ubeh!jPubj)rõ}rö(hUh#}r÷(h)]røh+]rùh']rúh%]rûh-]rüuhjPh3]rý(j)rþ}rÿ(hUh#}r(h)]rh+]rh']rh%]rh-]ruhjõh3]rhP)r}r(hXDespill Bias / ``despillBias``r	hjþhhh!hTh#}r
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h%]rh-]ruh1KRh3]r(hLXDespill Bias / r…r}r(hXDespill Bias / rhjubjy)r}r(hX``despillBias``rh#}r(h)]rh+]rh']rh%]rh-]ruhjh3]rhLXdespillBiasr…r }r!(hUhjubah!j‡ubeubah!j#ubj)r"}r#(hUh#}r$(h)]r%h+]r&h']r'h%]r(h-]r)uhjõh3]r*hP)r+}r,(hXColorr-hj"hhh!hTh#}r.(h)]r/h+]r0h']r1h%]r2h-]r3uh1KRh3]r4hLXColorr5…r6}r7(hj-hj+ubaubah!j#ubj)r8}r9(hUh#}r:(h)]r;h+]r<h']r=h%]r>h-]r?uhjõh3]r@hP)rA}rB(hXr: 0.5 g: 0.5 b: 0.5rChj8hhh!hTh#}rD(h)]rEh+]rFh']rGh%]rHh-]rIuh1KRh3]rJhLXr: 0.5 g: 0.5 b: 0.5rK…rL}rM(hjChjAubaubah!j#ubj)rN}rO(hUh#}rP(h)]rQh+]rRh']rSh%]rTh-]rUuhjõh3]rVhP)rW}rX(hX,Divide C color by this color before despill.rYhjNhhh!hTh#}rZ(h)]r[h+]r\h']r]h%]r^h-]r_uh1KRh3]r`hLX,Divide C color by this color before despill.ra…rb}rc(hjYhjWubaubah!j#ubeh!jPubj)rd}re(hUh#}rf(h)]rgh+]rhh']rih%]rjh-]rkuhjPh3]rl(j)rm}rn(hUh#}ro(h)]rph+]rqh']rrh%]rsh-]rtuhjdh3]ruhP)rv}rw(hX7Use Alpha Bias for Despill / ``despillBiasIsAlphaBias``rxhjmhhh!hTh#}ry(h)]rzh+]r{h']r|h%]r}h-]r~uh1KTh3]r(hLXUse Alpha Bias for Despill / r€…r}r‚(hXUse Alpha Bias for Despill / rƒhjvubjy)r„}r…(hX``despillBiasIsAlphaBias``r†h#}r‡(h)]rˆh+]r‰h']rŠh%]r‹h-]rŒuhjvh3]rhLXdespillBiasIsAlphaBiasrŽ…r}r(hUhj„ubah!j‡ubeubah!j#ubj)r‘}r’(hUh#}r“(h)]r”h+]r•h']r–h%]r—h-]r˜uhjdh3]r™hP)rš}r›(hXBooleanrœhj‘hhh!hTh#}r(h)]ržh+]rŸh']r h%]r¡h-]r¢uh1KTh3]r£hLXBooleanr¤…r¥}r¦(hjœhjšubaubah!j#ubj)r§}r¨(hUh#}r©(h)]rªh+]r«h']r¬h%]r­h-]r®uhjdh3]r¯hP)r°}r±(hXOnr²hj§hhh!hTh#}r³(h)]r´h+]rµh']r¶h%]r·h-]r¸uh1KTh3]r¹hLXOnrº…r»}r¼(hj²hj°ubaubah!j#ubj)r½}r¾(hUh#}r¿(h)]rÀh+]rÁh']rÂh%]rÃh-]rÄuhjdh3]rÅhP)rÆ}rÇ(hX?Use alpha bias color for despill instead of despill bias color.rÈhj½hhh!hTh#}rÉ(h)]rÊh+]rËh']rÌh%]rÍh-]rÎuh1KTh3]rÏhLX?Use alpha bias color for despill instead of despill bias color.rÐ…rÑ}rÒ(hjÈhjÆubaubah!j#ubeh!jPubj)rÓ}rÔ(hUh#}rÕ(h)]rÖh+]r×h']rØh%]rÙh-]rÚuhjPh3]rÛ(j)rÜ}rÝ(hUh#}rÞ(h)]rßh+]ràh']ráh%]râh-]rãuhjÓh3]rähP)rå}ræ(hXScreen Subtraction / ``ss``rçhjÜhhh!hTh#}rè(h)]réh+]rêh']rëh%]rìh-]ríuh1KVh3]rî(hLXScreen Subtraction / rrð}rñ(hXScreen Subtraction / ròhjåubjy)ró}rô(hX``ss``rõh#}rö(h)]r÷h+]røh']rùh%]rúh-]rûuhjåh3]rühLXssrý…rþ}rÿ(hUhjóubah!j‡ubeubah!j#ubj)r}r(hUh#}r(h)]rh+]rh']rh%]rh-]ruhjÓh3]rhP)r	}r
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h+]rh']rh%]rh-]ruh1KVh3]rhLXBooleanr…r}r(hjhj	ubaubah!j#ubj)r}r(hUh#}r(h)]rh+]rh']rh%]rh-]ruhjÓh3]rhP)r}r (hXOnr!hjhhh!hTh#}r"(h)]r#h+]r$h']r%h%]r&h-]r'uh1KVh3]r(hLXOnr)…r*}r+(hj!hjubaubah!j#ubj)r,}r-(hUh#}r.(h)]r/h+]r0h']r1h%]r2h-]r3uhjÓh3]r4hP)r5}r6(hX7Have the keyer subtract the foreground or just premult.r7hj,hhh!hTh#}r8(h)]r9h+]r:h']r;h%]r<h-]r=uh1KVh3]r>hLX7Have the keyer subtract the foreground or just premult.r?…r@}rA(hj7hj5ubaubah!j#ubeh!jPubj)rB}rC(hUh#}rD(h)]rEh+]rFh']rGh%]rHh-]rIuhjPh3]rJ(j)rK}rL(hUh#}rM(h)]rNh+]rOh']rPh%]rQh-]rRuhjBh3]rShP)rT}rU(hXClamp / ``clampAlpha``rVhjKhhh!hTh#}rW(h)]rXh+]rYh']rZh%]r[h-]r\uh1KXh3]r](hLXClamp / r^…r_}r`(hXClamp / rahjTubjy)rb}rc(hX``clampAlpha``rdh#}re(h)]rfh+]rgh']rhh%]rih-]rjuhjTh3]rkhLX
clampAlpharl…rm}rn(hUhjbubah!j‡ubeubah!j#ubj)ro}rp(hUh#}rq(h)]rrh+]rsh']rth%]ruh-]rvuhjBh3]rwhP)rx}ry(hXBooleanrzhjohhh!hTh#}r{(h)]r|h+]r}h']r~h%]rh-]r€uh1KXh3]rhLXBooleanr‚…rƒ}r„(hjzhjxubaubah!j#ubj)r…}r†(hUh#}r‡(h)]rˆh+]r‰h']rŠh%]r‹h-]rŒuhjBh3]rhP)rŽ}r(hXOnrhj…hhh!hTh#}r‘(h)]r’h+]r“h']r”h%]r•h-]r–uh1KXh3]r—hLXOnr˜…r™}rš(hjhjŽubaubah!j#ubj)r›}rœ(hUh#}r(h)]ržh+]rŸh']r h%]r¡h-]r¢uhjBh3]r£hP)r¤}r¥(hXClamp matte to 0-1.r¦hj›hhh!hTh#}r§(h)]r¨h+]r©h']rªh%]r«h-]r¬uh1KXh3]r­hLXClamp matte to 0-1.r®…r¯}r°(hj¦hj¤ubaubah!j#ubeh!jPubj)r±}r²(hUh#}r³(h)]r´h+]rµh']r¶h%]r·h-]r¸uhjPh3]r¹(j)rº}r»(hUh#}r¼(h)]r½h+]r¾h']r¿h%]rÀh-]rÁuhj±h3]rÂhP)rÃ}rÄ(hXClip Black / ``screenClipMin``rÅhjºhhh!hTh#}rÆ(h)]rÇh+]rÈh']rÉh%]rÊh-]rËuh1KZh3]rÌ(hLX
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h3]rEjí	)rF}rG(hUh#}rH(h)]rIh+]rJh']rKh%]rLh-]rMuhj=h3]rN(j÷	)rO}rP(hX9How the alpha embedded in the Source input should be usedrQjû	KhjFhhh!h1h#}rR(h)]rSh+]rTh']rUh%]rVh-]rWuh1Kh3]rXhLX9How the alpha embedded in the Source input should be usedrY…rZ}r[(hjQhjOubaubj÷	)r\}r](hX$**Ignore**: Ignore the source alpha.r^jû	KhjFhhh!h1h#}r_(h)]r`h+]rah']rbh%]rch-]rduh1Kh3]re(j
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ubhLX: Ignore the source alpha.rs…rt}ru(hX: Ignore the source alpha.rvhj\ubeubj÷	)rw}rx(hX\**Add to Inside Mask**: Source alpha is added to the inside mask. Use for multi-pass keying.ryjû	KhjFhhh!h1h#}rz(h)]r{h+]r|h']r}h%]r~h-]ruh1Kh3]r€(j
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ubhLXF: Source alpha is added to the inside mask. Use for multi-pass keying.rŽ…r}r(hXF: Source alpha is added to the inside mask. Use for multi-pass keying.r‘hjwubeubeh!jt
ubah!j#ubeh!jPubj)r’}r“(hUh#}r”(h)]r•h+]r–h']r—h%]r˜h-]r™uhjPh3]rš(j)r›}rœ(hUh#}r(h)]ržh+]rŸh']r h%]r¡h-]r¢uhj’h3]r£hP)r¤}r¥(hX"Inside Replace / ``insideReplace``r¦hj›hhh!hTh#}r§(h)]r¨h+]r©h']rªh%]r«h-]r¬uh1Kjh3]r­(hLXInside Replace / r®…r¯}r°(hXInside Replace / r±hj¤ubjy)r²}r³(hX``insideReplace``r´h#}rµ(h)]r¶h+]r·h']r¸h%]r¹h-]rºuhj¤h3]r»hLX
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Premultipliedrý…rþ}rÿ(hjõhjóubaubah!j#ubj)r}r(hUh#}r(h)]rh+]rh']rh%]rh-]ruhj§h3]rjí	)r	}r
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h']rh%]rh-]ruhjh3]r(j÷	)r}r(hXWhat image to output.rjû	Khj	hhh!h1h#}r(h)]rh+]rh']rh%]rh-]ruh1Kh3]rhLXWhat image to output.r…r}r(hjhjubaubj÷	)r}r (hXA**Source**: The PFg input (or Fg input, if PFg is not connected).r!jû	Khj	hhh!h1h#}r"(h)]r#h+]r$h']r%h%]r&h-]r'uh1Kh3]r((j
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**Source**r+h#}r,(h)]r-h+]r.h']r/h%]r0h-]r1uhjh3]r2hLXSourcer3…r4}r5(hUhj)ubah!j
ubhLX7: The PFg input (or Fg input, if PFg is not connected).r6…r7}r8(hX7: The PFg input (or Fg input, if PFg is not connected).r9hjubeubj÷	)r:}r;(hXv**Source Alpha**: The Alpha channel from the PFg input (or Fg input, if PFg is not connected), displayed as luminance.r<jû	Khj	hhh!h1h#}r=(h)]r>h+]r?h']r@h%]rAh-]rBuh1Kh3]rC(j
)rD}rE(hX**Source Alpha**rFh#}rG(h)]rHh+]rIh']rJh%]rKh-]rLuhj:h3]rMhLXSource AlpharN…rO}rP(hUhjDubah!j
ubhLXf: The Alpha channel from the PFg input (or Fg input, if PFg is not connected), displayed as luminance.rQ…rR}rS(hXf: The Alpha channel from the PFg input (or Fg input, if PFg is not connected), displayed as luminance.rThj:ubeubj÷	)rU}rV(hX_**Clean Plate**: The clean plate from the C input (or the screen color, if C is not connected).rWjû	Khj	hhh!h1h#}rX(h)]rYh+]rZh']r[h%]r\h-]r]uh1Kh3]r^(j
)r_}r`(hX**Clean Plate**rah#}rb(h)]rch+]rdh']reh%]rfh-]rguhjUh3]rhhLXClean Plateri…rj}rk(hUhj_ubah!j
ubhLXP: The clean plate from the C input (or the screen color, if C is not connected).rl…rm}rn(hXP: The clean plate from the C input (or the screen color, if C is not connected).rohjUubeubj÷	)rp}rq(hX•**Screen Matte**: The screen matte after keying and screen matte processing, but before applying the inside and outside mask, displayed as luminance.rrjû	Khj	hhh!h1h#}rs(h)]rth+]ruh']rvh%]rwh-]rxuh1Kh3]ry(j
)rz}r{(hX**Screen Matte**r|h#}r}(h)]r~h+]rh']r€h%]rh-]r‚uhjph3]rƒhLXScreen Matter„…r…}r†(hUhjzubah!j
ubhLX…: The screen matte after keying and screen matte processing, but before applying the inside and outside mask, displayed as luminance.r‡…rˆ}r‰(hX…: The screen matte after keying and screen matte processing, but before applying the inside and outside mask, displayed as luminance.rŠhjpubeubj÷	)r‹}rŒ(hX9**Inside Mask**: The inside mask, displayed as luminance.rjû	Khj	hhh!h1h#}rŽ(h)]rh+]rh']r‘h%]r’h-]r“uh1Kh3]r”(j
)r•}r–(hX**Inside Mask**r—h#}r˜(h)]r™h+]ršh']r›h%]rœh-]ruhj‹h3]ržhLXInside MaskrŸ…r }r¡(hUhj•ubah!j
ubhLX*: The inside mask, displayed as luminance.r¢…r£}r¤(hX*: The inside mask, displayed as luminance.r¥hj‹ubeubj÷	)r¦}r§(hX;**Outside Mask**: The outside mask, displayed as luminance.r¨jû	Khj	hhh!h1h#}r©(h)]rªh+]r«h']r¬h%]r­h-]r®uh1Kh3]r¯(j
)r°}r±(hX**Outside Mask**r²h#}r³(h)]r´h+]rµh']r¶h%]r·h-]r¸uhj¦h3]r¹hLXOutside Maskrº…r»}r¼(hUhj°ubah!j
ubhLX+: The outside mask, displayed as luminance.r½…r¾}r¿(hX+: The outside mask, displayed as luminance.rÀhj¦ubeubj÷	)rÁ}rÂ(hXd**Combined Matte**: The final matte, after applying inside and outside mask, displayed as luminance.rÃjû	Khj	hhh!h1h#}rÄ(h)]rÅh+]rÆh']rÇh%]rÈh-]rÉuh1Kh3]rÊ(j
)rË}rÌ(hX**Combined Matte**rÍh#}rÎ(h)]rÏh+]rÐh']rÑh%]rÒh-]rÓuhjÁh3]rÔhLXCombined MatterÕ…rÖ}r×(hUhjËubah!j
ubhLXR: The final matte, after applying inside and outside mask, displayed as luminance.rØ…rÙ}rÚ(hXR: The final matte, after applying inside and outside mask, displayed as luminance.rÛhjÁubeubj÷	)rÜ}rÝ(hXç**Status**: An image showing which pixels are pure background (black), pure foreground (white), partially transparent (grey), affected by Screen Replace (green), affected by Inside Replace (blue), or affected by Outside Mask (red).rÞjû	Khj	hhh!h1h#}rß(h)]ràh+]ráh']râh%]rãh-]räuh1Kh3]rå(j
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**Status**rèh#}ré(h)]rêh+]rëh']rìh%]ríh-]rîuhjÜh3]rïhLXStatusrð…rñ}rò(hUhjæubah!j
ubhLXÝ: An image showing which pixels are pure background (black), pure foreground (white), partially transparent (grey), affected by Screen Replace (green), affected by Inside Replace (blue), or affected by Outside Mask (red).ró…rô}rõ(hXÝ: An image showing which pixels are pure background (black), pure foreground (white), partially transparent (grey), affected by Screen Replace (green), affected by Inside Replace (blue), or affected by Outside Mask (red).röhjÜubeubj÷	)r÷}rø(hXd**Intermediate**: Color is the source color. Alpha is the foreground key. Use for multi-pass keying.rùjû	Khj	hhh!h1h#}rú(h)]rûh+]rüh']rýh%]rþh-]rÿuh1Kh3]r(j
)r}r(hX**Intermediate**rh#}r(h)]rh+]rh']rh%]rh-]r	uhj÷h3]r
hLXIntermediater…r}r
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ubhLXT: Color is the source color. Alpha is the foreground key. Use for multi-pass keying.r…r}r(hXT: Color is the source color. Alpha is the foreground key. Use for multi-pass keying.rhj÷ubeubj÷	)r}r(hX{**Premultiplied**: Color is the Source color after key color suppression, multiplied by alpha. Alpha is the foreground key.rjû	Khj	hhh!h1h#}r(h)]rh+]rh']rh%]rh-]ruh1Kh3]r(j
)r}r(hX**Premultiplied**rh#}r(h)]r h+]r!h']r"h%]r#h-]r$uhjh3]r%hLX
Premultipliedr&…r'}r((hUhjubah!j
ubhLXj: Color is the Source color after key color suppression, multiplied by alpha. Alpha is the foreground key.r)…r*}r+(hXj: Color is the Source color after key color suppression, multiplied by alpha. Alpha is the foreground key.r,hjubeubj÷	)r-}r.(hXh**Unpremultiplied**: Color is the Source color after key color suppression. Alpha is the foreground key.r/jû	Khj	hhh!h1h#}r0(h)]r1h+]r2h']r3h%]r4h-]r5uh1Kh3]r6(j
)r7}r8(hX**Unpremultiplied**r9h#}r:(h)]r;h+]r<h']r=h%]r>h-]r?uhj-h3]r@hLXUnpremultipliedrA…rB}rC(hUhj7ubah!j
ubhLXU: Color is the Source color after key color suppression. Alpha is the foreground key.rD…rE}rF(hXU: Color is the Source color after key color suppression. Alpha is the foreground key.rGhj-ubeubj÷	)rH}rI(hXT**Composite**: Color is the composite of Source and Bg. Alpha is the foreground key.rJjû	Khj	hhh!h1h#}rK(h)]rLh+]rMh']rNh%]rOh-]rPuh1Kh3]rQ(j
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**Composite**rTh#}rU(h)]rVh+]rWh']rXh%]rYh-]rZuhjHh3]r[hLX	Compositer\…r]}r^(hUhjRubah!j
ubhLXG: Color is the composite of Source and Bg. Alpha is the foreground key.r_…r`}ra(hXG: Color is the composite of Source and Bg. Alpha is the foreground key.rbhjHubeubeh!jt
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